tag:blogger.com,1999:blog-19793358236084877752024-02-08T02:48:59.808+01:00Barbara J. ScheuermannAusstellungen, Texte, Projekte - Exhibitions, texts, projectsDr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.comBlogger72125tag:blogger.com,1999:blog-1979335823608487775.post-14590205742474159632012-01-01T20:17:00.007+01:002012-03-05T20:42:28.142+01:0015.1.2012 starting a new position / Neue Position ab 15. Januar 2012<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis96U9O1pjVWDjAQqpr_IlV6bNApKVOKS97CjeIRmIcPiWDED5P_-6VCzqjGHJnkiFs5BeFbKUdBtnMWqBtIhBWXttIOOG6OMWCmvflWMvemMlFlYA8h4jciGFTJYARbgXH5LQmiInCcQ/s1600/Wilhelm_Hack_3.preview.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEis96U9O1pjVWDjAQqpr_IlV6bNApKVOKS97CjeIRmIcPiWDED5P_-6VCzqjGHJnkiFs5BeFbKUdBtnMWqBtIhBWXttIOOG6OMWCmvflWMvemMlFlYA8h4jciGFTJYARbgXH5LQmiInCcQ/s320/Wilhelm_Hack_3.preview.JPG" width="320" /></a></div><div style="font-family: inherit;"><span style="font-size: small;">Since January I've been holding the position of a curator for contemporary art at the <a href="http://www.wilhelmhack.museum/index.php?id=134" style="color: #990000;">Wilhelm-Hack-Museum</a>, Ludwigshafen. I'll still be in Berlin on a regular basis and continue my <a href="http://barbarajscheuermann.de/index.html">work as freelance writer</a>.</span></div><div style="font-family: inherit;"><span style="font-size: small;">Seit dem 15. Januar arbeite ich als Kuratorin am <a href="http://www.wilhelmhack.museum/index.php" style="color: #990000;">Wilhelm-Hack-Museum</a>, Ludwigshafen. Ich werde weiter regelmäßig in Berlin sein. Meine <a href="http://barbarajscheuermann.de/index.html">Tätigkeit als freie Autorin</a> führe ich fort.</span></div><div style="font-family: inherit;"></div><br />
</div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-45874352437321705752011-11-13T16:48:00.002+01:002012-01-05T13:18:28.090+01:0011.11.11: Livestreams of Alexej Meschtschanow talking about his youth and other highlights of Project 10: Exchange Radical Moments at Babusch, Berlin (in German)<div dir="ltr" style="text-align: left;" trbidi="on"><object classid="clsid:D27CDB6E-AE6D-11cf-96B8-444553540000" height="339" id="bplayer" width="512"><embed name="bplayer" src="http://static.bambuser.com/r/player.swf?vid=2119392" type="application/x-shockwave-flash" width="512" height="339" allowfullscreen="true" allowscriptaccess="always" wmode="opaque"></embed><param name="movie" value="http://static.bambuser.com/r/player.swf?vid=2119392"></param><param name="allowfullscreen" value="true"></param><param name="allowscriptaccess" value="always"></param><param name="wmode" value="opaque"></param></object></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-14748594410055401802011-10-27T15:47:00.004+02:002011-11-10T10:29:05.388+01:00Project 10: There is no Place like Home (or is there?) on 11.11.11 all day at Babusch<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh0DnERO2chxtmzy6r_PUa7nOuHBCEJ_oeT6xtjyS3TBliXJiCAosgutIoWvN29ymGYxQCOq7FsYJI9qccxCufnjnOeB8PNeqijWPvhJPbHkcapvYGsWTE5G08AjRt6PGZCiCxt8Nm3X8/s1600/ERM%252C+Europakarte%252C+Juni+10.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="242" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhh0DnERO2chxtmzy6r_PUa7nOuHBCEJ_oeT6xtjyS3TBliXJiCAosgutIoWvN29ymGYxQCOq7FsYJI9qccxCufnjnOeB8PNeqijWPvhJPbHkcapvYGsWTE5G08AjRt6PGZCiCxt8Nm3X8/s320/ERM%252C+Europakarte%252C+Juni+10.JPG" width="320" /></a></div><div style="color: #20124d;"><br />
</div><div style="color: #20124d;"><b>Friday, 11.11.11 from 11.11 am to11.11pm</b></div><div style="color: #20124d;"><b><span style="color: #990000;">Babusch </span></b>will be part of <a href="http://11moments.org/about/">E<b>XCHANGE RADICAL MOMENTS</b></a>, a 1 day art festival in <b style="font-weight: normal;"><span style="font-size: small;">Berlin, Bitola, Chisinau, Linz, Liverpool, London, Paris, Prague, Riga, Slubfurt and Stockholm.</span></b> </div><div style="color: #20124d;"><br />
</div><div style="color: #20124d;">Babusch's guests: <span style="color: #990000;">Thilo Bock, Eli Cortina<span style="color: #990000;">s</span>, Tibor Kiss & Solveig Bartusch, Ulla Lenze, Alexej Meschtschanow, Regine Müller-Waldeck, Mathias Ortmann</span> et al. - detailed programme <a href="http://babusch.org/TalkingHome.html"><b><span style="color: #990000;">here</span></b></a> </div><div style="color: #20124d;"><br />
</div><div style="color: #20124d;"><b><a href="http://babusch.org/">Babusch</a>, Kopenhagener Str. 33 (I), Berlin-Prenzlauer Berg, space@babusch.org </b></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-59077710434065252752011-09-26T14:53:00.013+02:002011-10-03T21:17:03.693+02:00Project 9 at Babusch, Berlin: Eli Cortiñas - New Work<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR7UjwbJKRKBEop42oNZGr93A4qwAkAGf3pIAQvjffjufmMAl_To0qAF8n3c55P6Auf4nqEjpsq0FmEVvYfJE5Fj6YLiLEsnxF2ueYeK3yOK0-O8RYzteVmlnI4gOHt0FmlL6XIuVt2Qs/s1600/5.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="222" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjR7UjwbJKRKBEop42oNZGr93A4qwAkAGf3pIAQvjffjufmMAl_To0qAF8n3c55P6Auf4nqEjpsq0FmEVvYfJE5Fj6YLiLEsnxF2ueYeK3yOK0-O8RYzteVmlnI4gOHt0FmlL6XIuVt2Qs/s320/5.jpg" width="320" /></a></div><div style="color: #990000;"><b>Thursday, 6 October, 7.30 pm</b></div><b><span style="color: #990000;">Screening and artist talk with Eli Cortiñas </span></b><br />
<b><span style="color: #20124d;"><span style="color: #990000;">at</span> <span style="color: #990000;"><a href="http://babusch.org/EliCortias.html">Babusch</a>, Berlin</span></span></b><br />
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<b><span style="color: #990000;"><span style="color: #cc0000;">RSVP</span><span style="color: #cc0000;"> <a href="mailto:space@babusch.org">here</a></span> </span></b><b><span style="color: #990000;"><span style="color: #cc0000;">or</span></span></b><b><span style="color: #990000;"> </span></b><b><span style="color: #990000;"><a href="https://www.facebook.com/event.php?eid=156933154397289" style="color: #cc0000;">here</a> <span style="color: #cc0000;"></span></span></b><br />
<b><span style="color: #20124d;"><span style="color: #990000;"> </span> </span></b><br />
<div style="color: #351c75; font-family: inherit;"><b>Video programme</b> </div><div style="color: #351c75; font-family: inherit;">Recent works by Eli Cortiñas<i></i><b><i> </i></b><br />
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<b><i>Confessions with an open curtain</i></b>, 2011 (1 channel video, 5´30´´/ loop)<i></i><b><i> </i></b></div><div style="color: #351c75; font-family: inherit;"><b><i>FIN (END)</i></b>, 2010 (1 channel video, 4´/ loop)<b><i> </i></b></div><div style="color: #351c75; font-family: inherit;"><b><i>Vogel, Kirsche, Geliebte (Bird, Cherry, Lover)</i></b>, 2010 (2 channel video, 8´/ loop) </div><div style="color: #351c75; font-family: inherit;"><br />
</div><div style="color: #20124d;"><span style="font-size: x-small;"><span style="color: #351c75; font-family: inherit;">image: </span><span style="color: #351c75; font-family: inherit;">Vogel, Kirsche, Geliebte (Bird, Cherry, Lover), 2 channel video, 8´/ loop, 2010 (video still) (c) Eli Cortiñas</span></span> </div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-15991069287118295212011-09-07T17:54:00.002+02:002011-10-04T12:24:54.761+02:00BURNING HOT. Recent observations on ceramics in contemporary art<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfq6rEzsZPeoMS4TdOsUGOdDSB886CTlxwPZVaJ59qfFT8Jvk52_5jYTJ_0j4y1_M1GCQquZll4WsiW4NJsGDcmiczqTyq2IkQIPAYPeP1asXc5G0IWgw2y-5ow7G0s8XuP1oagH9GVu0/s1600/keramieken2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><b style="color: #990000;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgfq6rEzsZPeoMS4TdOsUGOdDSB886CTlxwPZVaJ59qfFT8Jvk52_5jYTJ_0j4y1_M1GCQquZll4WsiW4NJsGDcmiczqTyq2IkQIPAYPeP1asXc5G0IWgw2y-5ow7G0s8XuP1oagH9GVu0/s320/keramieken2.jpg" width="238" /></b></a></div><div style="color: #990000;"><a href="http://www.kunsthart.org/nl/16/169/burning-hot.aspx">published in: HART (Belgium), #85, September 2011</a></div><br />
<div style="color: #351c75;">As attentive visitor of contemporary art exhibitions you might already have noticed it: pottery seems to be everywhere at the moment – as plate, delicate structure or lump, colourfully glazed, monochrome or raw, figurative, abstract or non-objective, in shows at galleries and museums ceramic is appearing in all kind of ways these days.</div><span style="color: #351c75;"> </span><br />
<div style="color: #351c75;">For a long time, ceramics as a medium used to belong to the arts and crafts rather than to the fine arts. Sure, Picasso’s delicate plates are famous and beloved, and artists like Thomas Schütte, Tony Cragg, Rosemarie Trockel, Miquel Barceló and especially Asian artists like Ai Weiwei or Leiko Ikemura have worked with pottery for years now, thus holding somewhat exceptional positions within the field of contemporary art. But just recently they got good company: <span id="ctl00_cphContent_lblContent">the younger generation finally has discovered pottery too – the ceramic mania seems to spread out quickly. It’s always difficult, if not impossible, to explain a phenomenon like this – why is it that artists suddenly become aware of a certain medium or technique? </span> <a href="http://www.kunsthart.org/nl/16/169/burning-hot.aspx">(...)</a></div><div style="color: #351c75;"><br />
</div><div style="color: #351c75;"><b>Read the full text here: <a href="http://www.kunsthart.org/nl/16/169/burning-hot.aspx">http://www.kunsthart.org/nl/16/169/burning-hot.aspx</a></b></div><div style="color: #351c75;"><br />
</div><span style="color: #351c75; font-size: x-small;"><b>image: Caroline Achaintre, Whalf, 2011 (ceramic, leather, installation view at Timothy Taylor, London), courtesy: the artist </b></span><br />
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</div><div style="text-align: right;"><a href="http://barbarajscheuermann.blogspot.com/"><b style="color: #cc0000;"><span style="font-size: x-small;"><i>back to main page</i></span></b></a></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-18509196376871139862011-08-26T10:47:00.001+02:002011-08-26T10:49:03.426+02:00Finissage Project 8: Based around Babusch @ Babusch, Berlin<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQt34O82uhAFU6ZhTxmH5p3b_XyX6hbIjvBLGwYsR7sHx1zyNenlgvlJvopqJbTswLPZdZhJOFLXKSGcwp9Lu7iHBKTFKdx-nukufo7HYnQPJAI5BybZ6NnSoxVg9KG0p-S5cW2_P7Tog/s1600/Alina+IMG_0079.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjQt34O82uhAFU6ZhTxmH5p3b_XyX6hbIjvBLGwYsR7sHx1zyNenlgvlJvopqJbTswLPZdZhJOFLXKSGcwp9Lu7iHBKTFKdx-nukufo7HYnQPJAI5BybZ6NnSoxVg9KG0p-S5cW2_P7Tog/s320/Alina+IMG_0079.JPG" width="240" /></a></div><div style="color: #cc0000;"><b>Saturday, 27 August, 4 pm</b><b> </b></div><div style="color: #cc0000;"><b>Finissage + Barbecue</b></div><div style="color: #cc0000;"><b><a href="http://babusch.org/Project8.html">PROJECT 8: BASED AROUND BABUSCH</a> </b></div><div class="description summary" style="color: #351c75;"><b>The exhibition will be open until 8, the barbecue grill probably much longer (if the weather allows it!). Bring food and beer for the barbecue if you like.</b></div><div class="description summary" style="color: #351c75;"><a href="http://babusch.org/Project8.html#"><span style="font-style: italic;"></span></a><span style="font-size: small;"><b>Participating artists</b>: <a href="http://babusch.org/Project8.html#"><span style="font-style: italic;"></span></a><i>Stefka Ammon, Eli Cortiñas, Henrike Daum, Wiebke Elzel, Anne Gathmann, Emanuel Geisser, Kerstin Gottschalk, Stef Heidhues, Tina Isabella Hild, Christian Hückstädt, Yuki Jungesblut, Jan Koch, Marlena Kudlicka, Alexej Meschtschanow, Rebecca Michaelis, Jana Müller, Regine Müller-Waldeck, Katja Pudor, Inken Reinert, Arne Schreiber, Alexandra Schumacher, Alina Shmukler, Natalia Stachon, Sven Stuckenschmidt, Lars Teichmann, Linda Weiss, Claudia Wieser, Andrea Winkler</i></span> </div><div class="description summary" style="color: #cc0000;"><b><span style="font-family: inherit;">Please klick here for the </span><a href="http://babusch.org/Project8Werkliste.html" style="font-family: inherit;">list of works</a><span style="font-family: inherit;"> </span></b></div><div class="description summary" style="color: #cc0000;"><b>and here for more information on Babusch and the show: <a href="http://babusch.org/Project8.html">babusch.org </a></b></div><div class="description summary"><br />
<a href="http://babusch.org/Project8Werkliste.html"></a></div><div class="description summary" style="text-align: right;"><a href="http://barbarajscheuermann.blogspot.com/"><b><i><span style="font-size: x-small;"><span style="color: #cc0000;">back to main page</span></span></i></b></a><br />
<a href="http://babusch.org/Project8Werkliste.html"></a></div><span class="dtstart"></span><span class="dtend"></span></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-74270339522079086452011-08-01T23:07:00.003+02:002011-08-01T23:20:51.779+02:00Crisscrossing Realities: A Conversation with Libia Castro and Ólafur Ólafsson<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVEjBPWQ410RqHOfyYYe1uYWLnGSkOImCxlZZqK3mnzghBJilvs6t7n5hbT4MA5CRfcA8Xvh4A66f0n7NQtHRq2SuLQneTCz-ljbpnIWQ8UvK71-z7Ixa4LIcv04tTJO-kucnWhNlIKJA/s1600/still19.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="180" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjVEjBPWQ410RqHOfyYYe1uYWLnGSkOImCxlZZqK3mnzghBJilvs6t7n5hbT4MA5CRfcA8Xvh4A66f0n7NQtHRq2SuLQneTCz-ljbpnIWQ8UvK71-z7Ixa4LIcv04tTJO-kucnWhNlIKJA/s320/still19.jpg" width="320" /></a></div><div style="color: #990000;"><i>conducted in April 2011 for Art Pulse, New York (summer issue 2011)</i> </div><div style="color: #351c75; font-family: inherit; text-align: justify;">The Spanish-Icelandic artist duo Libia Castro (born 1969 in Madrid) and Ólafur Ólafsson (born 1973 in Reykjavik) are representing Iceland at the 54th Venice Biennale 2011, which opened in June. We met the artists in the middle of the production of their new video and performance works for this occasion. The interview was conducted between Berlin, Germany, and Hafnarfjörour, Iceland, via Skype in April 2011.</div><div style="color: #351c75; font-family: inherit;"></div><div style="color: #351c75; font-family: inherit;"><b style="font-weight: normal;"><b>Barbara J. Scheuermann</b>: Before we start talking about your plans for the Icelandic pavilion at this year’s Venice Biennale, I first would like to ask you to give me a picture of where you are and what you are occupied with at the moment.</b> </div><div style="color: #351c75; font-family: inherit; text-align: justify;"><b> </b></div><div style="color: #351c75; font-family: inherit;"><b>Libia Castro and Olafur Olafsson</b>: For the last couple of months we have been in Iceland, on a residency at Hafnarborg Arts Center, which is based in the outskirts of Reykjavik. With them and RÚV-a national Icelandic TV channel-we produced the piece <i>Constitution of the Republic of Iceland</i> for the Biennale. From May on we are in Venice, where we will do the last part of the production of the work, <i>Your Country Doesn’t Exist</i>, and a new iteration of the project that has been developed since 2003. (...)</div><div style="color: #351c75;"></div><div style="text-align: right;"><b style="color: #990000;">Read the full interview here: <a href="http://artpulsemagazine.com/crisscrossing-realities/">http://artpulsemagazine.com/crisscrossing-realities/</a></b></div><div style="color: #351c75; font-family: Arial,Helvetica,sans-serif; text-align: left;"><span style="font-size: x-small;"><b>Photo credit: Video-still from Il Tuo Paese Non Esiste, 2011, exhibited at the Pavilion of Iceland at the 54th International Art Exhibition of the Venice Biennale. Photo: Lilja Gunnarsdóttir</b></span><br />
<div style="text-align: right;"><span style="font-size: x-small;"><b><a href="http://barbarajscheuermann.blogspot.com/"><span style="color: #990000;">Back to main page </span></a></b></span></div></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-65971322067376833962011-07-14T19:00:00.004+02:002011-07-14T19:03:32.213+02:00On Victor Alimpiev's paintings (dt./engl.)<div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdLs7fg-HG0ZBsVchdRWyex0EVRcBCw9sHaMedbpof-pe5WJx2rLqy6KaNESwlOY7ep3-ytJKZoUkQYJdu4-NSwFjjFRXTkGkAoUnbAUF3rdVk2KiQUjLPSuxIBe52OrHnBtzGvH3z-hc/s1600/Alimpiev%252C+M%25C3%25B6nchengladbach%252C++Juli+2011.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjdLs7fg-HG0ZBsVchdRWyex0EVRcBCw9sHaMedbpof-pe5WJx2rLqy6KaNESwlOY7ep3-ytJKZoUkQYJdu4-NSwFjjFRXTkGkAoUnbAUF3rdVk2KiQUjLPSuxIBe52OrHnBtzGvH3z-hc/s320/Alimpiev%252C+M%25C3%25B6nchengladbach%252C++Juli+2011.jpg" width="225" /></a></div><br />
<div class="MsoList" style="line-height: 150%; margin-bottom: 0.0001pt; text-align: right;"><b><i><span style="font-size: x-small;"><a href="http://barbarajscheuermann.de/Alimpiev2011.html"><span style="color: #990000;">English Version</span></a></span> </i></b></div><div class="MsoList" style="line-height: 150%; margin-bottom: 0.0001pt;"><b>Von gespannter Unbewegtheit</b>.<b> Einige Gedanken zu den Gemälden von Victor Alimpiev</b> </div><div class="MsoNormal" style="font-family: inherit; line-height: 150%;"><span style="font-size: small;"><i>veröffentlicht in: Victor Alimpiev - Malerei, Mönchengladbach 2011</i></span></div><div class="MsoNormal" style="font-family: inherit; line-height: 150%;"><span style="font-size: small;">Victor Alimpiev ist nicht nur der Schöpfer von inzwischen weithin bekannten, poetisch-verrätselten Videoarbeiten, sondern auch ausgebildeter Maler. Unschwer ist dies an der präzisen Komposition und der spezifischen Farbigkeit seiner Videos ist zu erkennen: Hier schafft ein Maler wohldurchdachte Bilder, die sich mit den für die Malerei charakteristischen Fragen nach dem Verhältnis von Farbe, Form, Bildträger und Betrachter auseinandersetzen. So ist es keineswegs überraschend, dass wiederum in den Gemälden Alimpievs – bei allen Unterschieden zwischen den Medien – dieselben Aspekte und Phänomene von Bedeutung sind wie in seinen Videos: skulptural erscheinende Figuren, eine dezidierte Auseinandersetzung mit Raum und Zeit, die Isolierung von Gesten und Bewegung, die Verwendung von Rhythmik und lyrischen Mitteln. </span><span style="color: #990000; font-size: small;">(</span><span style="font-size: small;"><a href="http://barbarajscheuermann.de/Alimpiev2011.html" style="color: #990000;">...</a></span><span style="color: #990000; font-size: small;">)</span></div><div class="MsoNormal" style="line-height: 150%; text-align: right;"><span style="color: #990000;"><span style="font-family: inherit; font-size: small;"><i><a href="http://barbarajscheuermann.blogspot.com/">back to main page</a></i></span> </span></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-25133321317981133512011-07-03T11:32:00.002+02:002011-07-03T11:46:46.288+02:00Project 8: BASED AROUND BABUSCH opened last Thursday<div dir="ltr" style="text-align: left;" trbidi="on"><span style="font-size: small;"></span><br />
<div class="separator" style="clear: both; text-align: center;"><span style="font-size: small;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6Wd67Br86eVsMdcUAEzcrtwcbq57N03ZV6v4ljLaVvlc6n7jCKwtpGtjnV8yOEbrEUqlAIbPfSnavcqQUQ55Hq5FMScn03pG7ZhpN_fqAzxX9CHLIAqYdvkxoZxADPqChv1ZbjMLqic4/s1600/Alina+IMG_0078.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi6Wd67Br86eVsMdcUAEzcrtwcbq57N03ZV6v4ljLaVvlc6n7jCKwtpGtjnV8yOEbrEUqlAIbPfSnavcqQUQ55Hq5FMScn03pG7ZhpN_fqAzxX9CHLIAqYdvkxoZxADPqChv1ZbjMLqic4/s320/Alina+IMG_0078.JPG" width="320" /></a></span></div><b style="color: #990000;"><i><span style="font-size: small;">Thanks to everyone for coming and making it a great opening party!</span></i></b><br />
<b style="color: #990000;"><i><span style="font-size: small;"> </span></i></b><span style="font-size: small;"><span style="color: #990000;"> </span></span><br />
<br />
<div style="color: #20124d; font-family: inherit;"><b><span style="font-size: small;">Images are online <a href="https://www.facebook.com/media/set/?set=a.10150244990752114.347484.751082113&l=13b15e6472" style="color: #990000;">HERE</a></span></b></div><div style="color: #20124d; font-family: inherit;"><span style="font-size: small;"><b>List of works (incl prices) online</b> <b><a href="http://babusch.org/Project8Werkliste.html" style="color: #990000;">HERE</a></b></span></div><div style="color: #990000; font-family: inherit;"><br />
</div><div style="color: #20124d; font-family: inherit;"><span style="font-size: small;"><b>Project 8: BASED AROUND BABUSCH</b></span></div><div style="color: #20124d; font-family: inherit;"><span style="font-size: small;">until 18 August, 2011</span></div><div style="color: #20124d; font-family: inherit;"><span style="font-size: small;">at <a href="http://babusch.org/index.html" style="color: #351c75;"><b>Babusch - project space for art from and about elsewhere</b></a> </span></div><div style="color: #20124d; font-family: inherit;"><span style="font-size: small;"><span style="font-size: small;"><span style="font-family: inherit;">o</span></span>pen on Thursday from 6 to 8pm and <a href="http://babusch.org/contact.html">by appointment</a></span></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-42590862105838730362011-06-27T15:38:00.005+02:002011-06-27T20:14:31.262+02:00Beauty, Pessimism, Hope - on 2 video art exhibitions in Istanbul and Düsseldorf<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; font-family: Arial,Helvetica,sans-serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDsXF8htOqZcrFgaHaxc-_KjzkHqJ0OTySYuEuMoEh6b9omqP5jEW9E2fYukelsT4ns-5F5HvUj94QeYgxiNylenyqDY2Rv9rvNsqEs5M9WekO3dOnJ4BBtHpnRKqq7zHlfKUy9BuF47s/s1600/Doug+Aitken%252C+Migration%252C+2008.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiDsXF8htOqZcrFgaHaxc-_KjzkHqJ0OTySYuEuMoEh6b9omqP5jEW9E2fYukelsT4ns-5F5HvUj94QeYgxiNylenyqDY2Rv9rvNsqEs5M9WekO3dOnJ4BBtHpnRKqq7zHlfKUy9BuF47s/s320/Doug+Aitken%252C+Migration%252C+2008.jpg" width="320" /></a></div><div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"><b><span style="font-size: x-small;"><span lang="EN-GB">published in RES (Istanbul), June 2011, p. 122-124</span></span></b><br />
<br />
<span style="font-size: small;"><span lang="EN-GB">(<a href="http://barbarajscheuermann.de/IstanbulDusseldorf2011.html">...</a>) “'...the disordered and damaged state of the environment today has been (…) under our very eyes in the most flagrant way all the time', says Colombo in his introduction to the catalogue, and Calikoglu seconds him by writing in his own catalogue essay that the 'rational planning, which was sustained for the sake of a livable future, a safe urban life, and a modern level of comfort, has pitted nature against culture. We still have not found a way to coexist with nature.' Well, that might be a bit thick, given that worldwide millions of people live in peaceful coexistence with their natural surroundings and other thousands of people dedicate their whole lives to develop alternative ways of generation of energy and of benefitting from natural resources without eventuelly anihilating them. But no doubt, Calikoglu and Colombo have a point (<a href="http://barbarajscheuermann.de/IstanbulDusseldorf2011.html">...</a>)"</span></span></div><div style="color: #990000; font-family: Arial,Helvetica,sans-serif; text-align: right;"><span style="font-size: small;"><span lang="EN-GB"><b>read the full text <a href="http://barbarajscheuermann.de/IstanbulDusseldorf2011.html"></a><a href="http://barbarajscheuermann.de/IstanbulDusseldorf2011.html">here</a></b></span></span></div><div style="font-family: Arial,Helvetica,sans-serif;"><span lang="EN-GB" style="font-size: 12pt;"><span style="color: #351c75; font-size: x-small;">image: Doug Aitken, Migration (production still), 2008, (c) 303 Gallery, NY, and the artist </span></span><br />
<div style="text-align: right;"><span lang="EN-GB" style="font-size: 12pt;"><span style="color: #351c75; font-size: x-small;"><b style="color: #351c75;"><a href="http://barbarajscheuermann.blogspot.com/">back to main page</a></b> </span></span></div></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-89865949727558835252011-05-20T12:18:00.020+02:002011-06-29T15:44:40.256+02:00Opening of Project 8 at Babusch on 30 June, 2011<div dir="ltr" style="text-align: left;" trbidi="on"><div style="color: #351c75; font-family: Arial,Helvetica,sans-serif; text-align: right;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDDqBGTzPHDgjGaD4jUe9PbcMwdy7hb9XmRG_MOSw3JibW3qNMCMhjuY6Jq5QyvZLXLJ7YDDeEdZ9wH4xMcisUmS9x2_4dWn5xKiNqAlQ1B2j1W6x4uTmXo3keKSqJYA9JTtgFfDLZkd8/s1600/DSC07238.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="240" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjDDqBGTzPHDgjGaD4jUe9PbcMwdy7hb9XmRG_MOSw3JibW3qNMCMhjuY6Jq5QyvZLXLJ7YDDeEdZ9wH4xMcisUmS9x2_4dWn5xKiNqAlQ1B2j1W6x4uTmXo3keKSqJYA9JTtgFfDLZkd8/s320/DSC07238.JPG" width="320" /></a></div><div style="color: #990000; font-family: Arial,Helvetica,sans-serif;"><b>Project 8: Based around Babusch</b></div><div style="color: #990000; font-family: Arial,Helvetica,sans-serif;"><i>Stefka Ammon, Eli Corti<i>ñ</i>as, Henrike Daum, Wiebke Elzel, Emanuel Geisser, Kerstin Gottschalk, Stef Heidhues, Christian Hückstädt, Marlena Kudlicka, Alexej Meschtschanow, Rebecca Michaelis, Jana Müller, Regine Müller-Waldeck, Katja Pudor, Inken Reinert, Arne Schreiber, Alexandra Schumacher, Natalia Stachon, Sven Stuckenschmidt, Lars Teichmann, Claudia Wieser, Andrea Winkler et al.</i></div><div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;">After seven projects focussing on "elsewhere", for Project 8 <a href="http://babusch.org/">Babusch</a> will focus on artists of its own district. This is to represent the quality and variety of the artistic production in only a small area of Berlin (mainly Prenzlauer Berg, partly Wedding, Pankow and Mitte) of which Babusch is the (geographical) center. And it's also a charity event: the artworks will be on sale, the revenues will support the artists and Babusch's non-profit art programme which has been realised without fundings so far.<br />
<br />
<div style="text-align: right;"><b><i>Think global, act local!</i></b> </div></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-32462719871980564282011-05-20T09:33:00.006+02:002011-05-22T15:48:57.936+02:00Henrike Daum's Cabinet of Curiosities<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1G8tdWrCMOKQ6Eb3fPR0C1UM6uUqTF8iBC4z0vdwEPrsy5MtVqBix0zW5vcSg9AF_tXAVl9WVkXF-2V3rb0x5aszzQSVc1u-Sz1vVzebX_jwr3B0YojsWAhqQ7sNhqpldturDEVGFj5w/s1600/Henrike+Daum+2011+jpg.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg1G8tdWrCMOKQ6Eb3fPR0C1UM6uUqTF8iBC4z0vdwEPrsy5MtVqBix0zW5vcSg9AF_tXAVl9WVkXF-2V3rb0x5aszzQSVc1u-Sz1vVzebX_jwr3B0YojsWAhqQ7sNhqpldturDEVGFj5w/s320/Henrike+Daum+2011+jpg.jpg" width="248" /></a></div><div style="color: #990000;"><b>published in: Depart, Dhaka, spring 2011, p. 76-79</b></div><div style="color: #351c75;">Entering Henrike Daum’s studio in Berlin’s hip district Mitte is like entering a cabinet of curiosities: the light is dimmed, and while adjusting the eyes to the darkness, one catches first glimpses of moving images, shimmering objects and other, not immediately ascertainable, sensations in the twilight. When you step closer you may identify jellyfishes glowing in jam jars, a ladybird making its way around the edge of a glass or shiny mountains with luminous spots dancing over them.</div><div style="color: #351c75;"></div><div style="color: #351c75;"></div><div style="color: #351c75;"><span style="font-weight: bold;"></span></div><div style="color: #351c75;">The artist is fascinated by light in its manifold aspects, by materials and objects that reflect, radiate and illuminate. So it has come only naturally that Henrike Daum (born 1972 in Gütersloh (Germany), lives and works in Berlin), during her studies at the art academy in Münster (Germany) and in her becoming an artist, has been turning towards video as the ideal medium for her artistic investigations. Yet it’s not actually the medium or material itself which Daum wants to explore – it’s rather that light and motion are used for examinations of all kind of phenomena, usually linked to science or natural sensations in general. <a href="http://barbarajscheuermann.de/Daum2011.html">(...)</a></div><div style="color: #cc0000;"><br />
<i>click <a href="http://barbarajscheuermann.de/Daum2011.html"><b>here</b></a> for the full text </i></div><div style="text-align: right;"><a href="http://barbarajscheuermann.blogspot.com/"><b style="color: #cc0000;">back to main page</b></a></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-9689165547206809792011-05-01T18:02:00.006+02:002011-05-01T21:49:52.490+02:00Pre-report on the Venice Biennial 2011, in: (H)Art #80, April 2011<div dir="ltr" style="text-align: left;" trbidi="on"><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPHczWFtQGL0e_4H8k4CfhJO173lCEuCErX2IUCzbqzaWN6jsfIIY1u_chW4VBMliaotLd9UjSHCW55BTa_wfLoxWGcjk4LlVuWkRzb0qE8un-zaP_NVkYel2Cm8wA2cuxXPuB8pog-SQ/s1600/Venice+2011%252C+Hart+80%252C+21.4.11.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="230" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPHczWFtQGL0e_4H8k4CfhJO173lCEuCErX2IUCzbqzaWN6jsfIIY1u_chW4VBMliaotLd9UjSHCW55BTa_wfLoxWGcjk4LlVuWkRzb0qE8un-zaP_NVkYel2Cm8wA2cuxXPuB8pog-SQ/s320/Venice+2011%252C+Hart+80%252C+21.4.11.jpg" width="320" /></a><span style="color: #990000; font-family: Arial,Helvetica,sans-serif; font-size: x-small;"><span lang="EN-GB">Biennial Venice 2011</span></span><span style="color: #990000; font-family: Arial,Helvetica,sans-serif; font-size: x-small;"><span lang="EN-GB"> </span></span><br />
<div class="MsoNormal" style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;"><b><span lang="EN-GB">Shedding a light on Illuminations</span></b></span></div><div class="MsoNormal" style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"><span style="color: #351c75; font-size: small;"><span lang="EN-GB" style="font-family: Arial,Helvetica,sans-serif;">"No doubt, the Venice Bienniale – the mother of all art biennials – is still one of the most important and eagerly-anticipated events in the art world, not least because of the often discussed national pavilions which seem a bit outdated nowadays but still give the biennial this special edge. The expectations for the curated main exhibition in the Central Pavilion and in the Arsenale are high, and one can imagine that the position of the respective curator is not an easy one, overexposed to public pressure and criticism. </span></span><span style="font-size: small;"><span lang="EN-GB" style="font-family: Arial,Helvetica,sans-serif;">After all the Biennale is regarded as being the most comprehensive and influential contemporary art exhibition in Europe. The respective curator usually plays a very prominent role,</span></span><span style="color: #351c75; font-family: Arial,Helvetica,sans-serif; font-size: small;"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPHczWFtQGL0e_4H8k4CfhJO173lCEuCErX2IUCzbqzaWN6jsfIIY1u_chW4VBMliaotLd9UjSHCW55BTa_wfLoxWGcjk4LlVuWkRzb0qE8un-zaP_NVkYel2Cm8wA2cuxXPuB8pog-SQ/s1600/Venice+2011%252C+Hart+80%252C+21.4.11.jpg">(...)</a>"</span></div><div class="MsoNormal" style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"><br />
</div><div class="MsoNormal" style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"><span style="color: #351c75; font-size: small;"><span lang="EN-GB" style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-small;"><b><span style="color: #990000;">Please click on the <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiPHczWFtQGL0e_4H8k4CfhJO173lCEuCErX2IUCzbqzaWN6jsfIIY1u_chW4VBMliaotLd9UjSHCW55BTa_wfLoxWGcjk4LlVuWkRzb0qE8un-zaP_NVkYel2Cm8wA2cuxXPuB8pog-SQ/s1600/Venice+2011%252C+Hart+80%252C+21.4.11.jpg">image</a> above to read the full article.</span> </b></span></span></span></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-13588061976030453882011-04-07T15:06:00.006+02:002011-04-25T21:51:07.341+02:00Opening on 29 April 2011 at Hopstreet, Brussels<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsSQNcqIDm7_icipGx1KnFT2NVC7pKEAyJ7dDZeiQR_OXlXut-BwbO27-SwRgHIl87jhuLGoScq-v_JG-oXCTuk_vR1QNa8eiMYVbjhLfjw0KZxo8tElWpyoRJ8Nz4tGjL4AV-iWgCKoQ/s1600/Wieser+2011.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgsSQNcqIDm7_icipGx1KnFT2NVC7pKEAyJ7dDZeiQR_OXlXut-BwbO27-SwRgHIl87jhuLGoScq-v_JG-oXCTuk_vR1QNa8eiMYVbjhLfjw0KZxo8tElWpyoRJ8Nz4tGjL4AV-iWgCKoQ/s320/Wieser+2011.jpg" width="232" /></a></div><div style="color: #cc0000;"><span style="font-size: large;"><b><b>THE SECRET LIFE OF ABSTRACT FORMS</b></b></span> </div><div style="color: #cc0000;"><b>Ayse Erkmen</b></div><div style="color: #cc0000;"><b>Markus Karstiess </b></div><div style="color: #cc0000;"><b>Anne Neukamp</b></div><div style="color: #cc0000;"><b>Bernd Ribbeck </b></div><b style="color: #cc0000;">Claudia Wieser</b><br />
<div style="color: #351c75;"><br />
</div><div style="color: #351c75;">29 April 2011 - 11 June 2011</div><div style="color: #351c75;"><b>HOPSTREET</b>, Hopstraat 7 rue du Houblon, 1000 Brussels, <a href="http://www.hopstreet.be/">www.hopstreet.be</a></div><div style="color: #351c75;"><span lang="EN-GB" style="font-weight: normal;">The show proposes to look at abstract shapes as forms that are animate. Despite their often rather austere appearance, abstract artworks can embody hints of fguration, motion, even narration. So this show brings together works by artists who work on the thin line between abstraction and figuration, respectively are inclined to blur this line – </span><span lang="EN-GB" style="font-weight: normal;"> through concept, </span><span lang="EN-GB" style="font-weight: normal;">composition </span><span lang="EN-GB" style="font-weight: normal;">and </span><span lang="EN-GB" style="font-weight: normal;">colour </span><span lang="EN-GB" style="font-weight: normal;">life is breathed into forms and shapes .</span></div><div style="color: #351c75;"><span lang="EN-GB" style="font-weight: normal;"> </span> </div><div style="color: #351c75;"><span style="font-size: x-small;">image (c) Claudia Wieser 2011</span></div><span lang="EN-GB"> </span> </div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-7834783613667557382011-03-25T11:36:00.030+01:002011-04-25T21:51:46.850+02:00Review Liverpool Biennial 2010: Touched<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJR3tqujWEMARtF4AmVY4S3EAH-IqjSCnhJlaqKYuCg_gj3GXQOmG8O8W4mE0sLlywovOeB88qO8h6o8UethpImYYQkPmSonNrD2aJE_UanQmgqtFGTeRYVCi8QEYfx6RzvsX16-PIA3Q/s1600/Liverpool+Biennale+2010.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJR3tqujWEMARtF4AmVY4S3EAH-IqjSCnhJlaqKYuCg_gj3GXQOmG8O8W4mE0sLlywovOeB88qO8h6o8UethpImYYQkPmSonNrD2aJE_UanQmgqtFGTeRYVCi8QEYfx6RzvsX16-PIA3Q/s320/Liverpool+Biennale+2010.jpg" width="246" /></a></div><div class="MsoNormal" style="color: #990000; font-family: Arial,Helvetica,sans-serif;"><b><span style="font-size: x-small;"><span lang="EN-GB">in: ARTPULSE, Spring 2011, Vol. 2 No. 3</span></span></b></div><div class="MsoNormal" style="color: #351c75; font-family: inherit;"><div class="MsoNormal"><span style="font-size: small;"><span lang="EN-GB"></span></span><b><span lang="EN-GB" style="font-family: Arial;"> </span></b><span lang="EN-GB" style="font-family: Arial; font-size: small;">"People tend to complain about the high prevalence of video works on recent biennials and other major exhibitions. If you were already somewhat dizzy of all the videos on the most recent Berlin biennial, then this year’s Liverpool biennial will probably cause some headaches. Its programme means strain, even for passionate video art lovers, but it’s worth the effort. </span></div><div class="MsoNormal"><span lang="EN-GB" style="font-family: Arial; font-size: small;">For example the video „Grand Organ“ by Düsseldorf-based artist <b>Danica Dakić</b>: Placed in a tower of the Liverpool Cathedral, it amalgates the organ, a children’s choir, and Liverpool’s impressive St. George’s Hall to captivating images about innocence, guilt, the individual and the collective, accompanied by a most exquisite sound.</span></div><span lang="EN-GB" style="font-family: Arial; font-size: small;">Within walking distance – right next to the “Black-E”-building where Belgian artist <b>Kris Martin</b> has installed a gigantic sword hanging from the ceiling – lies the vacant “Europleasure Hotel”. Here <b>Alfredo Jaar</b>’s very moving 3-channel-video „We wish to inform you that we didn’t know“ is projected for the first time. It’s about the genocide in Ruanda in the nineties and so saddening that, after having seen it, one doesn’t feel like seeing anything else at all </span><span style="font-size: small;">–</span><span style="font-size: small;"><span lang="EN-GB"> <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJR3tqujWEMARtF4AmVY4S3EAH-IqjSCnhJlaqKYuCg_gj3GXQOmG8O8W4mE0sLlywovOeB88qO8h6o8UethpImYYQkPmSonNrD2aJE_UanQmgqtFGTeRYVCi8QEYfx6RzvsX16-PIA3Q/s1600/Liverpool+Biennale+2010.jpg">(...)</a>"</span></span></div><br />
<span lang="EN-GB" style="font-family: "Times New Roman"; font-size: 12pt;"><i><b style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: x-small;"><span style="color: #990000;">For the full text please click twice on the <a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiJR3tqujWEMARtF4AmVY4S3EAH-IqjSCnhJlaqKYuCg_gj3GXQOmG8O8W4mE0sLlywovOeB88qO8h6o8UethpImYYQkPmSonNrD2aJE_UanQmgqtFGTeRYVCi8QEYfx6RzvsX16-PIA3Q/s1600/Liverpool+Biennale+2010.jpg">image on the left</a>.</span></span></b></i></span><br />
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</span></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-70317650748936298622011-03-18T00:07:00.004+01:002011-04-25T21:56:04.878+02:00Soeben erschienen: Katalog "Alke Reeh. so oder so", Kulturforum/Alte Post, Neuss 2011<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLZinYvJJzFBhlRb5UqTOzgRH48SIyQH3-0PJvEJflobN8kfPwewotglA1Ua2QnIVJnJtvy6r24FvlkVaeq_O4uSG9Z0Dj6YoqAgpvlj9n0h3zG02GfyAbLTIlKHI9J9o5MaM_kbxXbEI/s1600/Deckel-1.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><i><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiLZinYvJJzFBhlRb5UqTOzgRH48SIyQH3-0PJvEJflobN8kfPwewotglA1Ua2QnIVJnJtvy6r24FvlkVaeq_O4uSG9Z0Dj6YoqAgpvlj9n0h3zG02GfyAbLTIlKHI9J9o5MaM_kbxXbEI/s200/Deckel-1.jpg" width="156" /></i></a></div><br />
<div style="background-color: white; color: #351c75;"><b><i><span style="font-size: small;"><span lang="EN-GB">Alke Reeh. When Analysis Becomes Form</span></span></i></b></div><div class="MsoNormal" style="background-color: white; color: #351c75;"><span style="font-size: small;"><i><span style="font-family: Arial,Helvetica,sans-serif;"><span style="font-size: small;">In der Bildhauerei spielt die negative Form – der Raum, der eine Skulptur umgibt beziehungsweise sie durchdringt – eine ebenso große Rolle wie die positive Form, also die körperliche Substanz der Plastik. Häufig sind es gerade die negativen Räume, zum Beispiel Löcher, Spalten, Schlitze, Z</span><span style="font-size: small;">wischenräume aller Art, die eine Skulptur erst zum räumlich erfahrbaren Ding machen, das den vorhandenen Raum durchdringt und formt. Im Werk von Alke Reeh ist dieses Bewusstsein für positive und negative Räume und ihre genaue Erforschung zentral. </span></span><span style="font-family: "Times New Roman"; font-size: 12pt;"><span style="font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"> </span></span></span></i></span></div><div class="MsoNormal"><span style="font-size: small;"><i><span style="font-family: "Times New Roman"; font-size: 12pt;"><span style="background-color: #351c75; font-size: small;"><span style="font-family: Arial,Helvetica,sans-serif;"><span style="background-color: white; color: #351c75;">Seit langem interessiert sich Alke Reeh für die „Analyse von Formen“, wie sie es selbst nennt: Wie entsteht eine Form? Wie verhalten sich verschiedene Formen zueinander? Innerhalb welcher Strukturen entstehen Formen, und ab wann nimmt man mehrere Formen als Struktur wahr?</span></span></span> </span></i></span><i><span style="font-size: small;"> <a href="http://barbarajscheuermann.de/AlkeReeh2011.html">(...)</a></span></i></div><div class="MsoNormal" style="text-align: right;"><a href="http://barbarajscheuermann.blogspot.com/" style="font-family: Arial,Helvetica,sans-serif;"><span style="color: #990000; font-size: small;"><span style="font-size: x-small;">zurück zur Hauptseite</span></span></a><i><span style="font-size: small;"><br />
</span></i></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-72624003824110320522011-03-08T13:03:00.008+01:002011-04-25T21:57:44.609+02:0013.3. Eröffnung: "Alke Reeh: so oder so" @ Alte Post, Neuss<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeqFP-Wm8uFaKZ2Gz7GYYUbqmB-nFxINpUFful6AmbGjVLAUsjNEZ5YMT0oxIrF8oFhkiqtvKDCyz91HGCC0WgTSIMGBOx_q4VOC7koC7DZWmRjohwjRO5sJcalJNZbq8kUmhTMBvMzoM/s1600/Alke+Reeh+in+Neuss.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjeqFP-Wm8uFaKZ2Gz7GYYUbqmB-nFxINpUFful6AmbGjVLAUsjNEZ5YMT0oxIrF8oFhkiqtvKDCyz91HGCC0WgTSIMGBOx_q4VOC7koC7DZWmRjohwjRO5sJcalJNZbq8kUmhTMBvMzoM/s200/Alke+Reeh+in+Neuss.jpg" width="200" /></a></div><div style="color: #990000;"><span style="font-size: large;"><b>Alke Reeh: </b><b>so oder so</b> </span></div><div style="color: #351c75;">13. März bis 19. April 2011</div><div style="color: #351c75;">Alte Post / Städtische Galerie, Neuss</div><div style="color: #351c75;"><b>Eröffnung am Sonntag, 13.3., um 11:30 Uhr</b></div><div style="color: #351c75;">Begrüßung: Klaus Richter</div><div style="color: #351c75;">Einführung: Barbara J. Scheuermann</div><div style="color: #351c75;"><br />
</div><div style="color: #351c75;">Zur Ausstellung erscheinen ein Katalog und eine Edition.</div><a href="http://www.altepost.de/ausstellungen/25">mehr... </a><br />
<div style="text-align: right;"><a href="http://barbarajscheuermann.blogspot.com/"><span style="font-size: x-small;">zurück zur Hauptseite</span></a></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-91246872360025526152011-02-26T10:55:00.003+01:002011-04-25T21:56:30.757+02:00Künstlergespräch mit Martin Werthmann am 27.2. in Kassel<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4rVE-KbfwcwG1BAbaNYapUUWqOT5ejF_TVoWVKEs3b-JdYDU9HZc6UWed-7imAIIozcTrXHsAFHHq5wDSI1oM-_z8vdK3kOrU8GE9xmIWa2JBnzLijjhk61hfr0ykGasodTwCAKunC8Q/s1600/Martin+Werthmann.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="155" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg4rVE-KbfwcwG1BAbaNYapUUWqOT5ejF_TVoWVKEs3b-JdYDU9HZc6UWed-7imAIIozcTrXHsAFHHq5wDSI1oM-_z8vdK3kOrU8GE9xmIWa2JBnzLijjhk61hfr0ykGasodTwCAKunC8Q/s200/Martin+Werthmann.jpg" width="200" /></a></div><div style="color: #351c75; font-family: inherit;">"Der Kasseler Kunstverein lädt am Sonntag, 27.2., ab 17 Uhr ein zur Finissage seiner Ausstellung „undoubtedly/unzweifelhaft“ – Slawomir Elsner / Martin Werthmann. </div><div style="color: #351c75; font-family: inherit;">Sie beginnt mit einer kurzen Führung durch den Kurator Bernhard Balkenhol. </div><div style="color: #351c75; font-family: inherit;">Anschließend wird Dr. Barbara J. Scheuermann, Kunstwissenschaftlerin und freie Kuratorin aus Berlin, ein Künstlergespräch mit Martin Werthmann führen.</div><div style="color: #351c75; font-family: inherit;">Zum Abschluss zeigen wir einen Animationsfilm, der von der Trickfilmklasse der Kunsthochschule Kassel unter Leitung der neuen Professorin Martina Bramkamp in der Ausstellung gedreht wurde."</div><div style="font-family: inherit;"><br />
</div><div style="font-family: inherit;">Mehr Informationen <a href="http://www.kasselerkunstverein.de/">hier </a></div><div style="font-family: inherit; text-align: right;"><a href="http://barbarajscheuermann.blogspot.com/" style="color: #cc0000;"><span style="font-size: x-small;">zurück zur Hauptseite</span></a></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-69514484849926929822011-02-19T13:00:00.009+01:002011-02-19T16:08:45.935+01:00Die Codes der Dinge: Belá Kolárová und Lucie Stahl in der Stadtgalerie Schwaz<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; font-family: Arial,Helvetica,sans-serif; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWSAYtX7RDVIs-lk5leLNSGNsJ7_7IAp5cMfCcygZMPSMqNmlWlM7f53_bNG501s1cpCEuRwGCYD46Tx5SyCIS3qLFsdazq-qnP0M8nTrN38mDgWpZXNguuj6Zom7qoQ_yF38nCPfNQMI/s1600/Missy+01.11.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWSAYtX7RDVIs-lk5leLNSGNsJ7_7IAp5cMfCcygZMPSMqNmlWlM7f53_bNG501s1cpCEuRwGCYD46Tx5SyCIS3qLFsdazq-qnP0M8nTrN38mDgWpZXNguuj6Zom7qoQ_yF38nCPfNQMI/s200/Missy+01.11.jpg" style="background-color: #351c75;" width="148" /></a></div><div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"><div style="color: #351c75; font-family: Arial,Helvetica,sans-serif;"><br />
<span style="font-size: small;"><b><span lang="EN-GB" style="font-weight: normal;">erschienen in: <a href="http://missy-magazine.de/magazin/">Missy Magazine</a> 01/11, S.95 </span></b></span></div><div style="text-align: left;"><span style="font-size: small;"><span lang="EN-GB">"Mit Belá Kolářová & Lucie Stahl zeigt die Stadtgalerie Schwaz zur Zeit die erste Ausstellung unter der neuen künstlerischen Leitung von Cosima Rainer. </span><span lang="EN-GB">Seit Sommer 2010 ist die Wiener Kuratorin Leiterin des kleinen Ausstellungshauses in der Nähe von Innsbruck, und es ist als Statement zu lesen, dass gleich ihre erste Ausstellung explizit einen Beitrag zum feministischen Kunstdiskurs leisten will. Hierfür hat sie eine aktuelle und eine historische – womöglich nicht minder „aktuelle“ – Position ausgewählt: die in Wien lebende Künstlerin Lucie Stahl (1977 geboren n Berlin) und die tschechische Neokonstruktivistin </span><span lang="EN-GB">Belá Kolářová (</span><b><span lang="EN-GB" style="font-weight: normal;">1923 geboren in </span></b><b><span lang="EN-GB" style="font-weight: normal;">Terezíně)..." </span></b></span><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiWSAYtX7RDVIs-lk5leLNSGNsJ7_7IAp5cMfCcygZMPSMqNmlWlM7f53_bNG501s1cpCEuRwGCYD46Tx5SyCIS3qLFsdazq-qnP0M8nTrN38mDgWpZXNguuj6Zom7qoQ_yF38nCPfNQMI/s1600/Missy+01.11.jpg"><b><span lang="EN-GB" style="font-size: 12pt; font-weight: normal;"><span style="color: #990000; font-size: x-small;">für den vollständigen Text bitte hier oder links klicken</span></span></b></a></div></div><div style="text-align: right;"><div style="text-align: right;"><b><span lang="EN-GB" style="font-size: 12pt; font-weight: normal;"><span style="color: #990000; font-size: x-small;"><a href="http://barbarajscheuermann.blogspot.com/">zurück zur Hauptseite</a> </span></span></b></div><b><span lang="EN-GB" style="font-size: 12pt; font-weight: normal;"></span></b></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-12237356751955193712011-02-14T13:08:00.001+01:002011-02-14T13:09:29.226+01:00Künstlergespräch / artist talk: Anja Ciupka & Barbara J. Scheuermann<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7eqnWx36MIRkrr3fxbR_YYK9rp0rGjCxdTdcIX_5_8o5IsO3UUL_sfLoCfQsQ5ff971IhML0oELe1uqqhIgs9SIrFqh4Og7KZ_9iFhYpV7wFclU_JqCwYEk8M902KldokTMNINPAegIU/s1600/img_4488_399.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7eqnWx36MIRkrr3fxbR_YYK9rp0rGjCxdTdcIX_5_8o5IsO3UUL_sfLoCfQsQ5ff971IhML0oELe1uqqhIgs9SIrFqh4Og7KZ_9iFhYpV7wFclU_JqCwYEk8M902KldokTMNINPAegIU/s200/img_4488_399.jpg" width="200" /></a></div><br />
<b>Donnerstag, 17. Februar, 19 Uhr / Thursday, February 17th, 7pm</b><br />
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bei<br />
<div style="color: #cc0000;"><b><a href="http://www.marion-scharmann.com/xd/public/content/index.html?sid=ausstellung-aktuell">marion scharmann</a></b></div><div>Schaafenstrasse 10</div><div>Cologne, Germany</div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-19338225925646368682011-02-13T14:01:00.000+01:002011-02-21T10:53:18.226+01:00Dates to save Winter/Spring 2011<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBejNb8Y84krwY-JCoEez5MWF8z0vBFruDKJqZkZwMphJ8bwmXYmt1tdjnjBTRPHS-VFBn1Mh5KK8iebR-94OJvbrv20FgBvKlC3_zb6V7lL524qH_AnKYUS_n5zEN0fRm2_fq4XT6lkY/s1600/Boule2.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="149" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiBejNb8Y84krwY-JCoEez5MWF8z0vBFruDKJqZkZwMphJ8bwmXYmt1tdjnjBTRPHS-VFBn1Mh5KK8iebR-94OJvbrv20FgBvKlC3_zb6V7lL524qH_AnKYUS_n5zEN0fRm2_fq4XT6lkY/s200/Boule2.jpg" width="200" /></a></div><br />
29.01. <b style="color: #cc0000;">Opening of <a href="http://hopstreet.be/contact.php">Hopstreet</a></b>, Brussels<br />
03.02. <b style="color: #990000;"><span style="color: #cc0000;">Opening of <a href="http://babusch.org/currently.html">Project 7</a>: Pawel Jaszczuk</span> </b>at Babusch, Berlin<br />
10.02. <b><span style="color: #cc0000;">Introducing the new exhibition series "Couples" </span></b>on occasion of the opening of the show "<b><a href="http://www.hausamluetzowplatz-berlin.de/ausstellungen/1102_galerie.htm">Sean Scully and Liliane Tomasko</a></b>" at Haus am Lützowplatz, Berlin<br />
17.02. <b style="color: #cc0000;"><a href="http://www.marion-scharmann.com/xd/public/content/index.html?sid=ausstellung-aktuell">Artist talk</a> with Anja Ciupka</b> at Galerie Marion Scharmann, Cologne<br />
27.02. <b><span style="color: #cc0000;">Artist talk with Martin Werthmann</span></b> at Kasseler Kunstverein, Kassel <br />
13.03. <b style="color: #cc0000;">Introduction to Alke Reeh</b>'s work at Kulturforum Alte Post, Neuss<br />
29.04. Opening of <b><span style="color: #cc0000;">"The Secret Life of Abstract Forms"</span></b> at Hopstreet, Brussels<br />
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<span style="color: #990000; font-size: x-small;">image: Anja Ciupka, The Butterfly Effect, 2010 (c) the artist</span></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-33012460256642773302011-02-11T15:30:00.003+01:002011-02-11T15:47:44.990+01:00Jury-Sitzung für den Förderpreis der Arthur Boskamp-Stiftung<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTC7p6SFsGrm6FyRJMgkh9gnjnTZ0FnIMi8XVk_bTzuGYr2nNhVBZzUlR4-sLg-Nw-DRiLWNN5gXHBsIwCcVoM4Xyvr7jduxV7tRdRXDsBQSRSJaN3Q6Z72VA5Q40c2dNfhqGimhcLjm8/s1600/dsc_04531.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiTC7p6SFsGrm6FyRJMgkh9gnjnTZ0FnIMi8XVk_bTzuGYr2nNhVBZzUlR4-sLg-Nw-DRiLWNN5gXHBsIwCcVoM4Xyvr7jduxV7tRdRXDsBQSRSJaN3Q6Z72VA5Q40c2dNfhqGimhcLjm8/s200/dsc_04531.jpg" width="200" /></a></div>Die Arthur Boskamp-Stiftung M. 1 in Hohenlockstedt vergibt für das Jahr 2011 zwei Förderpreise in der Sparte „Interdisziplinäre Konzepte“. Die Ausschreibung richtet sich an bildende Künstler, deren künstlerische Arbeit von einer interdisziplinären Herangehensweise geprägt ist. Die Förderpreise sind mit je 2.000 EUR dotiert. Zusätzlich zum Förderpreis können die stiftungseigene möblierte Wohnung und ein Atelier für drei Monate kostenlos genutzt werden. Mit dem Förderpreis sind eine Publikation und eine Ausstellung im M.1 verbunden. <a href="http://www.arthurboskamp-stiftung.de/?page_id=27">Über die Vergabe des Preises entscheidet am 12.2.11 eine Fachjury. Mitglieder der Jury sind: Dr. Ulrike Boskamp, Dr. Brigitte Kölle, Dr. Barbara J. Scheuermann, Pia Witzmann.</a><br />
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<div style="color: #e06666; text-align: right;"><b><span style="font-size: x-small;"><a href="http://barbarajscheuermann.blogspot.com/">back to main page</a></span></b> </div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-84375460818554240972011-02-09T12:34:00.002+01:002011-02-09T17:04:32.937+01:00Liliane Tomasko und Sean Scully: the shadow of the corner of the wall<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSmH40XrL1ojMWkddLziRTKoERR4SsBhMhQSiTjegJsrGIfGptVLzm2-Xd_i7_pVQ0XlT8804VqYGH_lGPT95RJFUCWb0wWu7iNuS-mtsj9YpXQ727xnzT4yba0joPl4AE3Gp_124oHOU/s1600/Sean+Scully%252C+Pastell%252C+2010.JPG" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSmH40XrL1ojMWkddLziRTKoERR4SsBhMhQSiTjegJsrGIfGptVLzm2-Xd_i7_pVQ0XlT8804VqYGH_lGPT95RJFUCWb0wWu7iNuS-mtsj9YpXQ727xnzT4yba0joPl4AE3Gp_124oHOU/s200/Sean+Scully%252C+Pastell%252C+2010.JPG" width="200" /></a></div><div style="font-family: inherit; text-align: left;"><span style="font-size: small;"><b><a href="http://www.hausamluetzowplatz-berlin.de/ausstellungen/1103_galerie.htm">Haus am Lützowplatz</a>, Berlin </b></span></div><div style="font-family: inherit; text-align: left;"><span style="font-size: small;">11. Februar – 3. April 2011</span></div><div style="color: #cc0000; font-family: inherit; text-align: left;"><b><span style="font-size: small;">Eröffnung am Donnerstag, 10.2.11, ab 19 Uhr</span></b></div><div style="font-family: inherit; text-align: left;"><span style="font-size: small;">Begrüßung: Karin Pott</span></div><div style="font-family: inherit; text-align: left;"><span style="font-size: small;">Kurze Einführung in die neue Ausstellungsreihe "Künstlerpaare": Barbara J. Scheuermann</span></div><div style="font-family: inherit; text-align: left;"><span style="font-size: small;">Einführung in das Werk der Künstler: Armin Zweite</span></div><div style="font-family: inherit; text-align: left;"><span style="font-size: small;"></span><span style="font-family: inherit; font-size: x-small;">Bild: </span><span style="font-family: Verdana,Helvetica,Arial;"><span style="font-size: 12px;"><span style="font-family: Arial,Helvetica,sans-serif; font-size: x-small;">Sean Scully<i><b>, </b></i><b><i>6.21.09</i></b>, 2009, Pastel on paper, 40.6 x 59.8” (103 x 152 cm), (SS1008) / M340, (c) the artist</span></span></span></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-75218504229911553152011-01-31T17:00:00.006+01:002011-02-11T15:36:27.002+01:00Opening of Project 7 at Babusch on Thursday, 3.2., at 7 pm<div dir="ltr" style="text-align: left;" trbidi="on"><div style="font-family: inherit; font-weight: bold; text-align: left;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3Xd5-TCJxLM3KYvIAiVwTRNYAJbQoqFs0NtDgGgoYdeISKg6DktIb45JlstGd8DUYEekERDLCbDloxwgnkLLKy4xHxm5Tb-73q28BLgX4vIXFG_2ADSPxz1Xy9xnH-gECtssyhpvX25A/s1600/img362small.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh3Xd5-TCJxLM3KYvIAiVwTRNYAJbQoqFs0NtDgGgoYdeISKg6DktIb45JlstGd8DUYEekERDLCbDloxwgnkLLKy4xHxm5Tb-73q28BLgX4vIXFG_2ADSPxz1Xy9xnH-gECtssyhpvX25A/s200/img362small.jpg" width="133" /></a></div><br />
<span style="color: #cc0000; font-size: small; font-weight: normal;"><b>Project 7</b>: <b>Pa</b><b>wel </b><b>Jaszczuk</b></span><br />
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<div style="font-family: inherit; text-align: left;"><span style="font-size: small;">3.2. - 4.3.11<span style="color: #cc0000; font-family: inherit; font-weight: bold;"> </span></span></div><div style="font-family: inherit; text-align: left;"><span style="font-size: small;"><span style="color: #cc0000; font-family: inherit; font-weight: bold;">Opening on Thursday, 3 February, 7 pm</span></span></div><div style="color: #20124d; font-family: inherit; text-align: left;"><span style="font-size: small;"><span style="font-family: inherit; font-weight: bold;">at <a href="http://babusch.org/Jaszczuk.html">Babusch</a></span></span></div><div style="color: #20124d; font-family: inherit; text-align: left;"><span style="font-size: small;"><span style="font-family: inherit; font-weight: bold;">Kopenhagener Str. 33/I, Berlin-Prenzlauer Berg</span></span></div><div style="font-family: inherit; text-align: left;"><span style="font-size: small;"><span style="font-family: inherit; font-weight: bold;"></span></span><span style="color: #20124d; font-size: small;">in cooperation with <a href="http://www.photo-edition-berlin.com/">Photo Edition Berlin</a></span><br />
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<div style="text-align: right;"><span style="color: #20124d; font-size: small;"><span style="color: #cc0000;"><span style="color: #20124d;">------- <a href="http://www.facebook.com/home.php?sk=lf#%21/group.php?gid=41938647864&v=photos"><b>images of the opening</b></a></span> </span></span><span style="color: #20124d; font-size: small;"> -------</span></div></div><div style="font-family: inherit; text-align: left;"><br />
<span style="font-size: small;"><span style="font-size: x-small;">image (c) Pawel Jaszczuk</span> </span></div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0tag:blogger.com,1999:blog-1979335823608487775.post-37317016324070709162011-01-15T21:20:00.005+01:002011-01-23T12:58:51.491+01:00"Man kann sich hier nicht einfach rausschleichen"<div dir="ltr" style="text-align: left;" trbidi="on"><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"></div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHznIZcQPnQbsNTYw-q1sPKEmzRtilv5NlY6mpX6aKeD_fOpIuGZ03dx0Beo2BDJLEt11CcK-1KU_Wp0qAKHH34O03xAp2I5MAgj2qLJNxplgkHuY1_amJuddHTJ-Cz35GjE9sjOgZmHI/s1600/Brigitte+Woman+Feb.11+IIa.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgHznIZcQPnQbsNTYw-q1sPKEmzRtilv5NlY6mpX6aKeD_fOpIuGZ03dx0Beo2BDJLEt11CcK-1KU_Wp0qAKHH34O03xAp2I5MAgj2qLJNxplgkHuY1_amJuddHTJ-Cz35GjE9sjOgZmHI/s200/Brigitte+Woman+Feb.11+IIa.jpg" width="145" /></a></div><br />
<div style="color: #20124d;">In der aktuellen "Brigitte Woman" (02/2011), S.84 ff.:</div><div style="color: #20124d;"><br />
</div><div style="color: #20124d;">Artikel von Silke Stuck über <a href="http://babusch.org/BJScheuermann.html">Babusch</a>, 18m und die Bibliothekswohnung:</div><br />
<span style="color: #cc0000;">"Wo war hier noch mal die Galerie?"</span><span style="color: #20124d;"> </span><br />
<div style="color: #20124d;"><br />
</div><div style="color: #20124d;">Bei der Ausstellung, auf die hier Bezug genommen wird, handelt es sich um </div><div style="color: #20124d;">"<a href="http://babusch.org/India.html">Project 5: India 2010. Travel Notes</a>".</div></div>Dr. Barbara J. Scheuermannhttp://www.blogger.com/profile/08163776319625695368noreply@blogger.com0